by Derek Mong
1.
Baskets, brooms, and arrowheads
with “lashings perfectly preserved”;
the dregs from jugs
that tell how Incan youths
got drunk; and then a field
of fetid reptiles the cold
no longer deigns to hold—
its scent alerts a lucky
researcher who runs
to beat the baking sun.
“For every discovery,” our editor
concedes, “there are
thousands decomposing.”
Bodies, he means, the relics
hardest to recover.
There is, we learn, so much
left to learn. His boon
is good if misbegotten.
2.
Mount Hood in early spring:
its southern face a glaze
the sunlight sloughs away.
Blots of dirt break through;
the dirt—it’s dark—absorbs
the light; the light is hot
and heats the earth—
the earth thaws a thinning snowpack.
The melt will spread like melanoma.
And yet there’s snow enough
for us to rent these inner tubes
we roll uphill
then race downhill together.
Look at us, my love: a family
that moves in one direction.
That is until our son
insists on sailing solo.
Lawyerly, dwarfed at five
by this tire’s insides,
he says he wants
to learn his limits.
Let him make mistakes,
the guidebooks always say.
Mistakes are so instructive.
3.
Past heaps of rock that jut
like dragon teeth and through
a field concealed
beyond the fir trees;
past snowbanks whipped like thick meringue
and down through pooling sunlight—
two figures are emerging.
They rise as snow dissolves
in gauzy shreds, a sheet
drawn back to show fingers,
heels, a leathery earlobe.
By noon they breach the air:
a small body wrapped
inside a large one. This is an age
of deliquesced resurrection.
This is love so pure—
see how she turns his head, small eyes
buried in her breast—
that when catastrophe
loomed, she held one thought:
I cannot let him know it.