POETRY January 3, 2025

The Works of Flesh Are Manifest

You cite distance, you cite indifference. Why do I know 

           when they first measured the circumference of the world,

they sat back and sighed? I wish maps were more tactile,

           promiscuous like kitchen grout. It has taken to me, this task

of learning new grooves to dispel your memory, the lines

           marking your palms as anything other than mine. I’m a nun

when it comes to scrubbing. A little elbow grease is godly.

           Some of us must compose through muscle. Some of us had

to compose through muscle. I recall reading that women

           found language through the monotony of cleaning, the strokes

reminiscent of the returns in poetry. The muse is through,

           not out of the wound. When I learned the word chilblains, why,

I said it each day. I adore a word that I can see. I hope in

           glory, there is the color red and itching. Any reminder of being

bitten. Any reminder of our bruised knees. Did you know

           mine did not, the next morning, because you had me so much

on my back, because foolishly, I thought you wanted to

           learn me and my fickle geographies, the face I made when we

finally joined our aching. I carry now a cave in your wake.

           I go there often with my bucket, lose myself in paint. What is

this impulse to enter darkness with tenderness? To forsake

           knowing in lieu of want? My, how these questions only echo

when one is alone, hoping that with her eyes closed, she can

           find, once again, that nervous hand of yours to hold—

Kale Hensley is a West Virginian by birth and a poet by faith. You can keep up with them at kalehens.com or on Instagram @localamazon.  
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