A few months after I first arrived at college, I got an unexpected phone call from my father. I was walking in the snow, already packed down by previous adventurers, to an off-campus party, where I planned to blackout. Where’s mom? I asked. I don’t know where your mother is, my father said. Where are you? I replied. I’m going to hang myself, he said. I want you to be here when I do it. Now? I said. I’m using a belt, he said. I’m placing it around one of the beams in the living room. I heard a faint slip of leather. Which beam? I asked. Third one in, he said, his voice quivering and far away, I’m standing on the couch. I held my breath. I imagined the beam, like all of them, its firm wood bracing the house up, and I knew it would hold him. There he was—locking the belt’s smooth faux-leather braids around his jaw. There—shuffling his feet to the couch’s edge. Wait, I said. Wait. Wait. I stood, outside my destination, a feeble, disheveled house rented by Track & Field’s vaulters. Unrecognizable bass crept from an open window onto the sidewalk below. I’m going to step off, my father said, we don’t have much time left.
FICTION April 1, 2026
College
Dylan Fisher is the author of The Loneliest Band in France: A Novella (Texas Review Press, 2020). He holds an MFA in Creative Writing from UNLV and a PhD in English, Creative Writing from Georgia State University.