POETRY October 1, 2026

Unmapped Landscape with Egress and Hemlock

Leaving dinner, a friend reminds me I can slip

through a gap in the fence. Under the searchlight,

it seems too small, improbable, but I turn and twist

my animal self free. I cross the lot, still half fox,

and ignore the chiming map in favor of old habit.

The way home from my internship was left, right,

left again, uphill. This city remains part forest,

though the branches are bare now and less

obvious in the dark. Between brick walls

and trendy bustle, trees linger or encroach

like thoughts. I still sometimes feel like a girl

impersonating a woman—a trick of gender

rather than decade. A woman makes herself

available; a girl might dodge and weave

and not belong. Spinster is a less audible

destiny—a refusal to grow into anyone else,

a private mantle. With discrete markings,

we signal one another, says the podcaster,

like recluse species. I skip the freeway and travel

through layers of architecture. This city, too, is still

becoming itself, in an odd phase between holidays

and apocalypse; strings of light shine on worn-down

campaigns, new street art appears in brief flares.

A winter drizzle begins—so the road gleams

silver as I park and walk under my favorite hemlock.

When I pause to warn the magnolia against blooming

in this broken weather, the moon is cloud-covered

and the night, for now, silent.

Ceridwen Hall is a poet and educator. Her books include Acoustic Shadows and The School for Danger and Other Studies. Her work has appeared in TriQuarterly, Pembroke Magazine, The Cincinnati Review, Craft, Poet Lore, and other journals. Find her at https://www.ceridwenhall.com.